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Table of contents : Title Page......Page 2Special Offers......Page 3Table of Contents......Page 4What You Need......Page 10Dedication......Page 11Introduction......Page 13Overview of the Design Process......Page 15Stage 1: Discover......Page 19Getting Started......Page 214 Keys to Preparing Yourself......Page 23Character Breakdown......Page 25World Building......Page 30Common Styles......Page 34Style Examples......Page 38Finding Inspiration......Page 42Final Preparations......Page 44Stage 2: Design......Page 47Start Simple......Page 49Deconstruct, Then Construct......Page 51Deconstructing the Head......Page 53Constructing the Head......Page 55What Makes a Masculine Face?......Page 57What Makes a Feminine Face?......Page 59Drawing the Stereotypical Male Face......Page 61Drawing the Stereotypical Female Face......Page 64Basic Body Construction......Page 67Deconstructing the Torso......Page 70Drawing the Stereotypical Male Body......Page 71Drawing the Stereotypical Female Body......Page 80Practice Poses Using Construction Lines......Page 89All Shapes and Sizes......Page 90Traits and Character Types......Page 91Brainstorm Sketching......Page 122Brainstorm Sketching: Baker......Page 125Brainstorm Sketching: Pilot......Page 127Stage 3: Develop......Page 133Narrow It Down......Page 135Body Refinement......Page 137Working with Color......Page 141Genre and Setting......Page 144Character Archetypes......Page 156Using Stereotypes......Page 166Stage 4: Deliver......Page 171Refined Concept Art......Page 173Head Turnaround......Page 177Full Body Turnaround......Page 180Expression Sheet......Page 183Pose Sheet......Page 186Variants......Page 189Stage 5: Pulling it All Together......Page 193Quaid the Space Captain......Page 195Cindy the Fitness Lover......Page 203The Grazghar (A Race of Beings)......Page 210The Tale Teller......Page 217Important Stuff to Keep in Mind......Page 225Conclusion......Page 229Acknowledgments......Page 231About the Author......Page 232Marketing Page......Page 234Copyright......Page 236
Overall this is a great range of colors that will be more than adequate for most colorists and hobbyists, with a few caveats. Some colors are extremely similar - for example, R5 is only the tiniest smidgeon lighter than R6, and R4 seems the tiniest bit more red than R5, which is slightly more fuchsia.
If you'd like to learn more alcohol marker blending techniques, check out my Ultimate Guide to Using Alcohol Markers, where I take you step-by-step through the fundamentals of blending, and then demonstrate advanced techniques so that you can create any genre of art with your alcohol markers!
Many thanks to Ohuhu for offering me a complimentary set of their 120 Color Dual-Tip Alcohol Markers and art marker pads for me to review! All in all I'm very pleased with the markers and the pads and I give them two enthusiastic thumbs-up!
Drawing people or cartoon characters is an essential skill for every artist. You can learn how to draw a blank face with the help of this easy, step-by-step drawing tutorial - then, fill in the blanks with whatever you want!
Easy to follow, free, step-by-step instructions on how to draw animals, plants, and popular cartoon characters. Great drawing ideas and easy drawing tutorials. Anyone can create great looking drawings!
Across the middle horizontal line, draw five light rectangles. Inside the second and fourth rectangles, draw an oval that overlaps the middle line. Within each oval, draw a big circle and a small circle for the eyeballs, and a slightly curved line over each for the top of the eye. At the top of the guideline rectangles, draw in the eyebrows as curved rectangle shapes. Along the bottom of the guiding rectangles, sketch in curved lines to outline the nose with the tip of the nose resting on the bottom of the guideline.
To complete the eyes, shade very short lines in the curved rectangles of the eyebrows. Start with much harder and darker shading on the inside corners, getting progressively lighter with your pencil strokes as you work towards the outer edges. As eyebrows are typically thicker nearer the nose, this helps to make your drawing more realistic.
As you did with the nose, start to go over your light outline that you previously drew for the lips and teeth. Shade between the teeth in the darkest pencil that you have to hand. With your next lightest pencil, start shading from the bottom of the upper lip and move in an upwards direction to the top of the lip, getting slightly lighter with your shading as you go.
For the bottom lip, shade with your dark pencil around the outside edges and become gradually lighter as you move towards the middle of the lip. You can use your eraser to help keep the middle lighter. Once the lips are completely shaded, draw short and dark lines from the middle of the lips and move outwards to give the illusion of plump lips.
Continue to shade lightly across the right side of the face, adding in slightly darker shading directly underneath the center of the lower lip. As you move onto the neck, shade from left to right, keeping the dark shading for around three-quarters of the neck with a small triangle of lighter shading on the right side. Finally, shade the inside of the ears on both sides in both light and dark patterns to reflect where light would naturally fall.
Just underneath the tip of the nose, draw a short line inwards (towards the middle vertical line) with a short line above and below to form a sideways M shape for the lips. Moving back up to the top of your T-shaped guidelines, draw a sideways V with dark shading at the widest end for the eye. The front of the eye should be roughly in line with the back of the nose and lips to ensure that everything is proportioned correctly. 2ff7e9595c
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